UCLA (Spring 2003) DESMA 156A (Jennifer Steinkamp) |
|||
project by Daniel Sauter | |||
Stereosculptor | DESCRIPTION | ||
PROTOTYPE | download paper (pdf) | ||
DESIGN | |||
TECHNICAL DATA | |||
SIMULATION | |||
^ | |||
^ | |||
The
idea for Stereosculptor is inspired by the predominant fascination of
tree-dimensional imagery and its effect which makes people 'gaze deep
into the scenes' being immersed by this illusionary effect. The discussion
about the concepts of three-dimensional vision, optics and reception
evoked my curiosity investigating the secrets behind this phenomenon.
Stereosculptor
develops the stereoscopic apparatus as a technique often used for reproduction
of reality into a device of artistic interpretation of human gesture
and motion. Stereosculptor incorporates the following concepts: The History of Locomotion, early examples of Etienne-Jules Marey, Edward Muybridge and Marcel Duchamps Michael Saup: Binary Ballistic Ballet, Wylliam Forsythe Blurring the edges of the real: Stereoscopic vision (anaglyphic), subtractive color system and realtime image processing
|
^ | ||
PROTOTYPE | ^ | ||
EXHIBITION DESIGN | INSTALLATION SPACE CONCEPT 1 | ^ | ||
EXHIBITION DESIGN | INSTALLATION SPACE CONCEPT 2 | ^ | ||
640x480 | |||
SIMULATION | ^ | ||
computer system: 2
PCs, Pentium III ++ 2
projectors 1.3 display ratio, 2000 Ansi Lumen ++ lighting: 9
x cloth tubes (color white, diffusing,) |
|||