It was noted by Tori Amos that where a woman's journey through life may be documented in a journal or diary, men do so through their CD collection. Every album fits into a particular piece of his life. While I don't enjoy her music, Amos was right. Here's my music trip, in chronological order...
|
Artist
|
Album
|
Commentary
|
Favorite Track
|
|
CAKE
|
Motorcade
of Generosity
|
I
consider it my first CD, but in reality it was purchased by the family
when we heard that the were good friends with the drummer. It's an excellent
first album by the band and many consider it the best. I didn't appreciate
the lyrical genius at the time.
|
|
|
Metallica
|
assorted
tracks disk 1
|
I
heard Metallica on the local Rock station ROCK105.3, having just begun
listening to the genre in an attempt to find my preference of music.
Their melodic, crisp sounds were what I was looking for, having little
else of intrest at the time.
|
|
|
Alice
in Chains
|
assorted
tracks disk 1
|
Alice
in Chains was even more what I was in search for than Metallica. The
song I Stay Away remains on my favorites of all time. At the
time I had no appreciation for the grunge movement but now love their
music for so much more.
|
|
|
Apocalyptica
|
assorted
tracks disk 1
|
What
I liked from Metallica at the time were their harmonies. This 4-piece
cello group played their music alone. It seemed to be the solution to
my search. Soon it grew old, Metallica's lyrics held so much power above
the music.
|
|
|
Metallica
|
assorted
tracks disk 2
|
A
further exploration into the music without purchasing any CD, I went
into some harder tracks as well as many they wouldn't play on the radio.
Metallica filled a gap in what I felt at the time was a lack of character.
|
|
|
Pearl
Jam
|
Ten
|
This
will remain my favorite album of all time. I can't imagine much better
in one CD. I'd heard Jeremy, Even Flow and Alive on the
radio and soon downloaded the whole album. I've played it more than
any other CD. The vocals and lyrics of Eddie Vedder, and the composition
of the harmonies are timeless. It has always played a part in my life
since 1997, meaning different things at different times.
|
|
|
CAKE
|
Fashion
Nugget
|
A
second album that was purchased due to the recognition of Todd Roper's
relation to us. This one really grew on me and though seems a little
harsh at time, it opened my eyes to Alternative Rock.
|
|
|
Powerman
5000
|
Tonight
the Stars Revolt
|
The
family bought this one when we were on the big East Coast Vacation of
'99, specifically when we were in Massachusetts. We heard them on the
radio and got the album that night. The pounding harsh rock sound took
some of the stress of the trip away.
|
|
|
Surf
Rock
|
assorted
artists/ tracks disk 1
|
Something
about surf rock is so raw American, without falling into the Rock-a-Billy
I don't care much for. The tracks were all unsigned MP3.com artists
and many were surprisingly good. I listen to this every now and then.
It means the "good part" of high school summers to me.
|
|
|
Black
Sabbath
|
Reunion
|
I
heard Iron Man about the time Metallica was introduced to me.
It was another song that was part hard rock and part melodic song writing.
|
|
|
Black
Sabbath
|
Paranoid
|
Again,
this style of music had the speed and general social commentary that
played on my need for meaningful, unusual music.
|
|
|
Pink
Floyd
|
The
Division Bell
|
This
album was a gift from a dear friend, and for the longest time was my
favorite cd, and is still one of the most important. It introduced me
to melancholy music which has become my favorite genre. This album used
to be my secret one, I never shared it with anyone and I listened to
it as I drifted off to sleep. It was so important, I wouldn't allow
anyone to crticize it.
|
|
|
Santana
|
Supernatural
|
Even
at the time I never got into this album, I got it from a friend, listened
a couple of times and decided and it just wasn't substantial enough,
and definitely not my kind of music. At the time I was swayed by the
public opinion about it. It's been rare that I've allowed that since.
|
|
|
Metallica
|
assorted
tracks 3
|
More
Metallica, this time more of a mix of the mellodic stuff and the harsh.
I was still torn between the beat and the melody and by the end I only
listened to the instrumental tracks
|
|
|
Creed
|
Human
Clay
|
I
really thought this album was cool, until I downloaded it and listened.
It just got preachy fast. I remember listening to it in Art Class when
someone brought it, but at the time it was too much vocals and R&B
meets rock.
|
|
|
Moby
|
Play
|
Weird
how much I played this album, another download (thank you Napster!).
I loved the mix with the old Blues and Folk sounds of the early 20th
century. It seemed both cultural and hip and most of these songs have
become timeless due to the popularity. It took a long time from the
point of hearing it to actually getting it. It's a style highly copied
today, but I like the earlier work of Portishead better.
|
|
|
Metallica
|
(self-titled
Black Album)
|
I
just had to have this album for its definitive Metallica feel. I remember
finding it used and thinking it was an amazing find, I told my friend
who was a Metallica fan and no one cared. For some reason that kind
of killed it for me. I had a number of tracks on other disks, but it
will always be the best Metallica was for me.
|
|
|
Danny
Elfman
|
Music
for a Darkened Theatre Vol. 2
|
I've
loved his music since Edward Scissorhands (one of the best films of
my generation) and BeetleJuice. This was an excellent compilation of
his mid 90s films. Its one of the instrumental albums that I keep listening
to. I remember this was the first of my discoveries at the public library
(free music).
|
|
|
Pink
Floyd
|
The
Wall
|
Sure,
it's a definitive album in the history of rock, and most songs are well
written, work together, and illustrate the feelings of an oppressed
life, but I just cant listen to it anymore. I realized at the time many
people live through the album, but I merely enjoyed the lighter and
more popular tracks. The rest became too British and hateful.
|
|
|
Metallica
|
S
& M
|
I
really wanted this album for a while, I thought "Two genres I asmired
were finally coming together," and on some tracks it wont be the
same without the orchestral accompaniment, but the older songs became
so self-righteous that they lost the edge. I've never thought Metallica
sold out, but I do think they became a dog and pony show. At the time
this was important to changing the stigma I had about "live"
albums.
|
|
|
Ozzy
Osbourne
|
The
Ozzman Cometh
|
This
album was a gift from my Dad, I remember driving to and from Pasadena
with a copy in the tapedeck. It was nice to hear the compilation with
the new tracks but my appreciation of Ozzy was fading. Today I can't
avoid seeing the bad rock of the 80s and very gloomy skies which I had
the majority of the time driving to the Art Center
|
|
|
CAKE
|
Prolonging
the Magic
|
Another
CAKE album that we bought just because we know the band, but this time
it really clung, the songs each had a hook and while it became more
"pop"-esque it was important in its time for bring alternative
back to 91x in San Diego, and for me, revisting the old days of CAKE.
Their style of music has always been with me, and everything I listen
to today is kind of a version of some song they wrote.
|
|
|
A
Perfect Circle
|
Mer
de Noms
|
I
wish I could say I really got into this album, because I think it might
have some redeeming values, however this is another of my "scrounge
to build a music library" fase, which continues today. They tracks
blended into a watered down version of Tool, which I never took to.
|
|
|
Green
Day
|
Insomniac
|
Its
weird how some albums just fit the context of their play so well, its
seemed that this was one of the first that led me back into the love
of early 90s rock. Green Day is part of the background music of my early
teens and I never noticed. So I finally gave them a shot, and this cd
fit the teen anger ideal I was looking for. At the time it wasn't fake
or as trivialized as I have let it get today.
|
|
|
Live
|
The
Distance to Here
|
I
hated the first track and its still like needles in my ears, but the
album as a whole is a cool mix of Middle Eastern sounds with rock accompaniment.
At the time I was confused about who the band was, thinking it was some
techno group so I borrowed it and listened to it and liked it anywa.
Live had never been a favorite, but I listen to it once in a while.
|
|
|
Catherine
Wheel
|
Happy
Days
|
Another
odd find at the library, the two Catherine Weel albums can be classified
as faceless rock -- many tracks are mainstream noise, like many of the
bands that never get discovered, but that was fine at the time. This
particular one is especially non-descript.
|
|
|
Catherine
Wheel
|
Wishville
|
This
album is a little more stylized and worth listening to, it was initially
just a collection piece, but became a big travel album, I've listened
to it returning from Phoenix in the car, and on my first trip into Santa
Monica.
|
|
|
Crash
Test Dummies
|
God
Shuffled His Feet
|
I
love this band. But, only in this album. Its that mix of the lead singers
voice, with the nonsensical lyrics, that paint a picture of the concepts
instead of saying anyhting straight out like so much music over many
years. This was an important one for the fact that the music video is
one of the earliest I remember watching on MTV and it has a very strong
joy associated with it, for me.
|
|
|
Soundtrack
|
O
Brother Where Art Thou?
|
One
of the better film soundtracks compiled, it might have been the love
of Jazz that resulted from the PBS Jazz Series that inspired my appreciation,
but the "Old Tmey" sound is perfect in and out of the context
of the movie. It made me think of aged papers, sepia pictures, and a
warmth and simplicity lost in this country.
|
|
|
Sister
Hazel
|
Fortress
|
It
went along well with the Bare Naked Ladies fase, with its strange mix
of straightforward messages and off the wall topics.
|
|
|
Bare
Naked Ladies
|
Maroon
|
2000
for me had a lot to do with non-emotional music, until David Gray, and
it was a playfull album, each song with a good beat and energy, and
one hidden track with a very nice song that desserves its own disc.
|
|
|
Linkin
Park
|
Hybrid
Theory
|
||
|
Dave
Navarro
|
Trust
No One
|
||
|
David
Gray
|
White
Ladder
|
One
of the monumental albums of my high school career, it brought me into
the folk movement, supported unfortunate ideas of finding special someones,
and got me into some trouble. Nonetheless, it had a lot of influence
over my appreciation of simplicity and good writing in music. Its probably
the most played album in my collection, at least for a two year period.
I remember listening every night and while I worked on school projects.
I first heard it on a trip to visit the Chappies in Auburn, CA. That
time with Todd Ropper was one of the more memorable times in my life,
for its poigniancy and appreciation.
|
|
|
Disturbed
|
The
Sickness
|
||
|
Stone
Temple Pilots
|
No.
4
|
||
|
Alien
Ant Farm
|
Anthology
|
||
|
Scapegoat
Wax
|
Okeeblow
|
||
|
Nelly
Furtado
|
Whoa
Nelly!
|
||
|
Bjork
|
Selma
Songs
|
||
|
Pearl
Jam
|
Binaural
|
||
|
Barenaked
Ladies
|
Stunt
|
||
|
Staind
|
Break
the Cycle
|
||
|
Lifehouse
|
No
Name Face
|
||
|
Dido
|
No
Angel
|
||
|
Five
for Fighting
|
America
Town
|
||
|
Oasis
|
What's
the Story Morning Glory
|
||
|
The
Ventures
|
Best
of
|
||
|
Glen
Miller
|
Best
of
|
||
|
David
Gray
|
The
EPs 92-94
|
||
|
Pearl
Jam
|
Vitalogy
|
||
|
Radiohead
|
OK
Computer
|
||
|
Radiohead
|
Kid
A
|
||
|
Cold
Play
|
Parachutes
|
||
|
Tool
|
Lateralus
|
||
|
Oasis
|
The
Masterplan
|
||
|
Jimmie's
Chicken Shack
|
Bring
Your Own Stereo
|
||
|
Nickelback
|
Silver
Side Up
|
||
|
Beatles
|
1
|
||
|
Beatles
|
assorted
tracks disk 1
|
||
|
Five
for Fighting
|
America
Town
|
||
|
CAKE
|
Comfort
Eagle
|
||
|
Pearl
Jam
|
Vs.
|
||
|
Ben
Folds Five
|
The
Unauthorized Biography of Reinhold Messner
|
||
|
Gomez
|
Bring
it On
|
||
|
Stone
Temple Pilots
|
Purple
|
||
|
The
President of the United States of America
|
(self-titled)
|
||
|
Sublime
|
40
oz. to Freedom
|
||
|
Red
Hot Chili Peppers
|
Blood
Sugar Sex Magic
|
||
|
The
Dell McCurry Band
|
assorted
tracks disk 1
|
||
|
Neil
Young
|
Unplugged
|
||
|
The
Cranberries
|
To
the Faithful Departed
|
||
|
Korn
|
(self-titled)
|
||
|
Nick
Drake
|
Pink
Moon
|
||
|
Smashing
Pumpkins
|
Melon
Collie and the Infinite Sadness
|
||
|
Gomez
|
Abandoned
Shopping Trolley Hotline
|
||
|
Gomez
|
Liquid
Skin
|
||
|
The
Blue Hawaiians
|
Sway
|
||
|
Nirvana
|
Nevermind
|
||
|
Collective
Soul
|
Dosage
|
||
|
Beck
|
Mutations
|
||
|
311
|
From
Chaos
|
||
|
Sound
Garden
|
Down
on the Upside
|
||
|
Sound
Garden
|
Superunknown
|
||
|
Sound
Garden
|
Badmotorfinger
|
||
|
Travis
|
The
Invisible Band
|
||
|
Tool
|
Aenima
|
||
|
Squirrel
Nut Zippers
|
Hot
|
||
|
Radiohead
|
The
Bends
|
||
|
Live
|
V
|
||
|
Radiohead
|
Pablo
Honey
|
||
|
Radiohead
|
Amnesiac
|
||
|
Shawn
Mullins
|
Beneath
the Velvet Sky
|
||
|
Sparklehorse
|
It's
a Wonderful Life
|
||
|
Sigur
Ros
|
Agaetis
Byrjun
|
||
|
The
Verve Pipe
|
Underneath
|
||
|
Temple
of the Dog
|
(self-titled)
|
||
|
Goo
Goo Dolls
|
A
Boy Named Goo
|
||
|
Cat
Stevens
|
Best
of
|
||
|
The
Aluminum Group
|
Pelo
|
||
|
Soundtrack
|
The
Royal Tenenbaums
|
||
|
Portishead
|
Dummy
|
||
|
Portishead
|
(self-titled)
|
||
|
Jimmy
Eat World
|
(self-titled)
|
||
|
Neil
Halstead
|
Sleeping
on Roads
|
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